The
final leg of the It's A Knockout story - for the time being at least -
saw an unexpected return of the domestic competition to British television. In
an era of television where original ideas were thin on the ground and there
were nostalgia shows proliferating - I Love the 70s, 100 Greatest TV
Moments, I'm Mad About June 1981 Particularly Late Friday Afternoons
When It Wasn't Raining (OK, so that last one was made up, but give it six
months and it'll be on Channel Four on a Saturday night!) - I suppose it was
inevitable that someone would try to resuscitate It's A Knockout, and
it finally happened in 1999 under the auspices of Channel 5 and Ronin
Entertainment.
Pre-recorded around Britain during Summer 1999, the series debuted on 3rd
September that year in a Friday night one-hour slot starting at 8.00pm. The
first edition, boosted by good publicity and natural curiosity from the
viewing public drew in an audience of 2.5 million viewers - quite respectable
for Channel Five at the time. However, audiences dwindled quickly, and by the
Final on Saturday 6th November 1999, there were barely 500,000 viewers
still tuning in. So
what went wrong?
The
Channel Five It's A Knockout was fronted by a recognisable team,
comprising livewire presenting veteran, Keith Chegwin (late of fondly
remembered cult programmes such as Multi-Coloured Swap Shop and Cheggers Plays
Pop, but more recently employed as a roving reporter-cum-mischief maker on
The
Big Breakfast), popular British ex-World Champion boxer Frank Bruno, former
Playboy cover star, Nell McAndrew, sports presenter Lucy Alexander and a
Course Referee, Tony Smith, who had previously competed in It's A Knockout
and Jeux Sans Frontières. They
were a good team, but had a mountain to climb to replace the memory of the BBC
presentation team of Stuart Hall, Eddie Waring and Arthur Ellis, not to mention the
much loved international referees Gennaro and Guido. The original show, seen
through nostalgic eyes with all its associations and highlights, would always
be a high water mark to reach. The original show could of course look cheap
and cheerful sometimes, but in those days it didn't really matter. As the
millennium drew to a close, TV productions standards in general had risen,
competition had increased in the multi-channel age and games which saw people
running up and down a muddy field carrying coloured water to a measuring
cylinder would have many viewers reaching for the television remote in a
dreadful hurry.
The
first series was ultimately not really that exciting and sadly, despite a
makeover for the second series, which saw the incorporation of much more
imaginative and enjoyable games, the damage had been done and It's A
Knockout limped to a conclusion once more on Saturday 6th January 2001. It
had never lived up to its illustrious predecessor, and even though the second
series was critically better received than the first, the audiences were still
not enticed into watching in great numbers.
It could be said
that television audiences had moved on and the type of entertainment that It's A Knockout embodied was entirely of another time: lighthearted fun
where no one pranced around naked to get on the front pages, where violence
was not on the menu and wherethe whole point of the show was to have fun
rather than to humiliate the losers. All told, it's depressing that there is
no place for a Knockout in the 21st Century, and that each new game
show that borrows from the IAK format is progressively less and less
well meaning and more and more just there to be an excuse to set up a
for-profit telephone/text vote. Television has left It's A Knockout
behind, but it's not the better for it.
Until another, more enlightened time...
by
Alan Hayes